Showing posts with label hoysala. Show all posts
Showing posts with label hoysala. Show all posts

Wednesday, October 29, 2008

Hoysala Trail continues






The Hoysalas were compulsive builders of temple edifices, which is proved by the fact that they built more than 600 prominent temples in the 4 districts of Karnataka Mandya, Hassan, Chickmaglur and Tumkur Districts. There is sketchy information on location on various temples, which triggered an inquistiveness in me to systematically and over a period of time explore all the temples. I have been partially successful to explore some of the exotic temples of the Hoysala period with a passion.

A learned villager, while i was on hoysala trail informed me that it was the hand of God that inspired and guided the artisans of the Hoysala Era to perfect the art of construction of an edifice, which symbolizes the blend of heaven, stone and landscape. Such architectural extravaganza is yet to exhibited anywhere in contemporary era. The miniaturization was perfected on stone, be it jewellery, animals, deities or pillars hoysala artisans had the technology as well as the fine art of sculpting. The chisel worked as a brush in the hands of a painter. The outcome leaves one gaping in astonishment of how a insignificant soapstone was transformed into an edifice of par excellence.



TONNUR


This ancient temple is located very close to Melkote and off the main road it is just 3 kms. The historical relevance of this temple is mixed bag, some say it is credited to the Gangas of Talkad and finished by the Hoysalas. There was a fort covering the entire town which has been erased from the topography. A beautiful tirumalsagara lake, which later converted to Moti Talab or Lake of Pearls after the adil shahi kingdom sultans annexed this place. There is a short cut to walk across the hill to the temple, one temple is completely renovated, which may have been a Hoysala temple. The main temple is Venugopalswamy temple or Namki Naryana swamy temple too. Here the hoysala king Bittideva was alleged to have converted to Vaishnava faith under the influence of sage Ramanuja charya. He adopted the name Vishnuvardhana after conversion to Vaishnava faith. The other temple is known as Gopalswamy temple which looks of Ganga origin but later the hoysala symbol of sala slaying the tiger is seen on the gopuram. This temple is built as a fortress with access to to upstairs of the temple compound. There are number of inscriptions in both the temples lying to be explored for historical students. One finds lot of villagers assembling on the Lake steps to pray for the local goddess of durga and shiva’s incarnation. A unique flag post like temporary prayer post is erected on the steps. One can relax on the small mantap erected to get a close look, boat ride is undertaken on coracles by local fisherman. The main temple has been completely renovated by ASI and the other temple is under Govt. of Karnataka. In both the temples poojaris are present. Majority of the idols seems to be taken away by ASI for preservation.




HOSAHOLALU :

This beautifully well landscaped temple of Hosaholalu is known as Laxmi Naryana temple. It is credited to have built during the time of the Hoysala King Veera Someswara in 1250 AD. The outer façade of the temple is well decorated with various forms of Vishnu & goddess and elephants along with the platform typical of hoysala temples. The temple is built in the triangular form, also known as trikuta vimana syle. There are three statues of deities Venugopal, Naryana & Lakshminarasimha. We were unable to see the inside of the temple because it was locked by the poojary and we did not bother to search for him. It is very rare that inside the temple sanctum santorium one finds idols, which are mostly uninstalled or vandalized by smugglers of antiques. This temple is located close to K R pet town in Mandya district.

HEMAGIRI RIVER FALLS : This place is located 8 Kms from KR pet enroute to Kikere town or Govindhalli. It is better to take the route back, in view of bad roads on the same stretch to reach Kikere town. The river is in full flow during monsoon and it is a treat to watch. This spot seems to be a film shooting locale for some of the Kannada movies.



KIKKERI


A real ancient temple located on the lake banks with water seeping into one corner of the temple where the idol was literally immersed in water. This Brahmeswara temple is one of the fine specimen of olden Hoysala style. It was built during the reign of Veera Narasimha I in 1171 AD. The façade is full of deities and animals. The workmanship is extra-ordinary. We have Nandi image sculpted in its glory with a verandah for seating outside the temple for piligrims. It is state of urgent need of repair and landscaping to prevent collapse and pristine beauty. The temple doors were locked and we had to jump into the compound to explore the heritage with a women cutting grass as caretaker. There are two more temple during the Vijaynagar era which has been literally painted with odd colours in the name of renovation and embezzling funds. I am sure if the temple had been maintained with basic water proofing and strengthening of pillars, it would have been a treat to admire. I hope the govt takes charge of such temples so that heritage is maintained.







GOVINDAHALLI
Many local villagers know this place as Gavihalli and it is just 4 kms away from Kikkeri village. There is no prominent sign post or locale signifying the existence of this beautiful well maintained monument. One has to just cross the town limit of Kikkeri and take a left turn if one is approaching from Bangalore, on the right the road leads to Shravanbelagola. This is the only Panchkuta temple built during the Hoysala reign by the famous sculptor Ruvari Mallitamma almost the same time of Kikkeri temple. There are five shivlings in each of the inner chambers. The outer portion has various deities. It is better to carry and torch to have a look at the intricately carved statues inside the temple. The location has been beautifully landscaped and well maintained by the ASI. One can fall in complete in love with the serene atmosphere without the disturbance of the local population. I hope the ASI is able to maintain the public from encroachment unlike majority of the hoysala temples.



KAMBADAHALLI


It is located 18 kms away from the famous Shravanbelagola town. It is located on the nagamangala route enroute to belur cross or mandya town. One needs to keep watch on the milege point after 16 kms to take a deviation on the left. If one approaches from Nagamangala it is approximately 14 kms and better to watch for left turn from 12 km onwards for the arch. Kambadhalli was famous Jain settlement of ancient times, with more than 30 basadis, which are all ruined or destroyed according to fable stories. Only this temple has survived and it derives its name from its pillar on the enterance. Kambha means pillar in kannada and halli signifies village. It is a Jain temple with statues strewn outside. At least one consolation is that they are located in a vantage point. ASI would do good if they renovate and maintain this ancient heritage of Jains. The bell on the Pillar signifies some errie bed time horror story. It is alleged when the bell chimes it signifies death of a local villager. It is literally a parody of for whom the bell tolls. It is more a believe or not fable. One of the naked thirtankaras statue is the main worshipped god.


Thursday, October 9, 2008

Hoysala Erotica




Never in my imagination did I think that Hoysala artisans attained such pinnacle of sculpting virtually by dexterity and perfection which can be compared with a painter.   One villager compared their feat to hands of god. They were inspired by the heavenly blessings endowed along with the soap stone found in abundance in and around Hassan district. The erotica hidden in the monuments of Halebid, Somnathpur, Kikkeri,  reveal the passion of the artisans of the times.  One needs to be peeping tom literally to locate these passion play on the facade of the hoysala temples.  

The claim of Khajuraho temples being constructed between 950 to 1050 AD and Hoysaleswara temple built during 1121 AD for almost 100 years and still incomplete seems a little jigsaw puzzle, which is yet to be solved by any historian. If Muhammad Ghazni who invaded India seventeen times, primarily to target Indian wealth and convert local populace between 1001-1027 AD, he would have plundered Khajuraho temples. Between 1009 A.D and 1026 A.D he invaded Kangra, Thaneshwar, Kanauj, Mathura, Gwalior, Kashmir and Punjab. Between 1175 to 1206 AD, another tyrant Mohammad Ghori plundered India almost 7 times, in the region of Benares, Gwalior, Ajmer and Mathura. Therefore the claim of Khajuraho being built in 1050 AD and remaining intact seems highly improbable. The erotica at Khajuraho temples were definitely of 1300 AD and beyond.

Chalukyan Influence on Hoysala architecture :

Aihole can be safely be considered as school of erotic architecture in India since 450 AD.  The Chalukyan emperors were the first official sponsorers of erotic architecture.  The artisans of the time were given plenty of freedom to boldly exhibit romance, eroticism on the facades of the temples starting from Huchiappa complex, Galaganatha complex, Melguti temple, etc. Unlike Hoysala artisans they did were given plenty of liberty to run their imagination wild. Lajja Gauri sculpture located in the museum at Badami is a proof of this liberty.  Check out this link http://indiabackpacker.blogspot.com/2008/11/badami-where-mesolithic-mankind-lived.html


There was scuttle amount eroticism when the artisans of the time were sculpting the god and goddess idols.  But the scope of  portraying hindu gods was not considered blasphemy but overdoing would have invited criticism.  The vent to sexual freedom basically must have arisen due to the fact that long hours of sculpting without connecting with the subject matter would have lead to monotony, it did not bring in job satisfaction in modern day parlance i presume.  Further some of the migrated artisans were kept away from family pleasures in lieu of their service away from home town, thus was born eroticism, which was considered natural and subscribed to the modern day Freudian  theory of oral and visual gratification.  check out this link : http://indiabackpacker.blogspot.com/2008/11/aihole-cradle-of-indian-temple.html


Hoysala artisans were obviously under instruction to be discreet in their exhibits of eroticism in their sculpture. They did not exceed their brief to a large extent in toning down the size of the sculptures to visual treat rather than adopting titillation unlike their contemporary artisans in Khajuraho.  Hoysala artisans had the benefit of carving out of soapstone which was comparitively easier to miniaturise erotic sculpture, whereas Chalukyan artisans did not have that luxury due hard granite for their sculpting.  Naturally Hoysala artisans such as Mallithimma achieved the sculpting skill close to a photographers exposition.  They were master craftsmen in bring out the essence of  visual sexual pleasure.

Finally many of the Chalukyan erotic sculptures seems to have been pillaged to be sold in foreign destinations or languishing in private collections.  Hoysala erotic sculptures have not been plundered due to the fact that soapstones are brittle and it would crumble.  However the slotted panels have been definitely pirated to museums abroad.







The surmise being that Halebid seems to be trail blazer in erotica which was exposed in a limited fashion. The culmination of erotica took its shades in the Khajuraho temples by the descendents of the artisans who may have migrated to North India for greener pastures.





I hope one day the truth will emerge that Halebid was the finest example of erotic finesse prevailing in the ancient times. If some historians can work on this angle we shall pride ourselves being innovators rather than followers of the trend.  I am sure all the sixty odd postures of  Kamasutra would have been completed in panels of  temple architecture in India.









Disclaimer :  This is an original presentation of the author, without much data from any source on evolution of erotic sculpting except a passing reference in Wiki regarding hoysala architecture was subtle expose or eroticism.  The premise is based on the fact India is credited to have discovered kamasutra.


Additional Research Material : http://www.kamat.com/kalranga/erotica/khaju.htm


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